Biography: Party Animals: A Hollywood Tale of Sex, Drugs, and Rock ’n’ Roll by Robert Hofler
Seventies Hollywood excess is perfectly rendered in Party Animals (Da Capo), Robert Hofler’s latest foray into the seamier side of Tinseltown.
Hofler is a senior editor at Variety and the author of The Man Who Invented Rock Hudson as well as Variety’s The Movie That Changed My Life. As a writer and reporter, Hofler knows his beat well. If there was ever any doubt, there isn’t after reading Party Animals, where he delivers a front row look at the crazy life that surrounded producer Allan Carr (1937-1999).
Carr was best known for some great films and some awful ones, as well as stellar parties and for producing the Oscars remembered as the worst ever (Carr was banned from future Oscar attendance after this fiasco).
The movies most associated with him include Grease, Tommy, La Cage aux Folles as well as the Village People musical some people attribute with the death of disco: Can’t Stop the Music.
Hofler’s account begins at the end: with filmmaker Brett Ratner (Red Dragon, Rush Hour) purchasing the recently deceased Carr’s infamous Benedict Canyon home for 3.6 million dollars in 1999.
From there we’re spun back into the 1970s, where Carr is beginning to make a huge impression as a host and producer. Hofler takes us through these two huge aspects of Carr’s life with raw abandon: lavish partiesand productions display a life lived beyond the edge. If you enjoy tales from inside Hollywood, you’ll like Party Animals, even if you never knew much about Carr.
Hofler is a senior editor at Variety and the author of The Man Who Invented Rock Hudson as well as Variety’s The Movie That Changed My Life. As a writer and reporter, Hofler knows his beat well. If there was ever any doubt, there isn’t after reading Party Animals, where he delivers a front row look at the crazy life that surrounded producer Allan Carr (1937-1999).
Carr was best known for some great films and some awful ones, as well as stellar parties and for producing the Oscars remembered as the worst ever (Carr was banned from future Oscar attendance after this fiasco).
The movies most associated with him include Grease, Tommy, La Cage aux Folles as well as the Village People musical some people attribute with the death of disco: Can’t Stop the Music.
Hofler’s account begins at the end: with filmmaker Brett Ratner (Red Dragon, Rush Hour) purchasing the recently deceased Carr’s infamous Benedict Canyon home for 3.6 million dollars in 1999.
From there we’re spun back into the 1970s, where Carr is beginning to make a huge impression as a host and producer. Hofler takes us through these two huge aspects of Carr’s life with raw abandon: lavish partiesand productions display a life lived beyond the edge. If you enjoy tales from inside Hollywood, you’ll like Party Animals, even if you never knew much about Carr.
Labels: biography, David MIddleton, non-fiction
0 Comments:
Post a Comment
<< Home